Chris Stump
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Boston!

4/26/2023

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So, it was school vacation week recently, and we spent three days down in Boston. 

This is "ol' stompin' grounds" for us, as my parents met there, I was born there, we were engaged there, and my wife attended undergrad there. It's a favorite city for the family for sure.

We arrived just two days after the Marathon, but you'd never have known...the city hosts so many events and cleans up so quickly. 

Highlights were a Red Sox game...which they unfortunately lost...the Hayden Planetarium, and the Common and Garden. It's a great walking city.

I took the GX85 and Leica DG 9mm [e-18mm] f1.7 ASPH along for the visit. Mainly as a trial run before our upcoming vacation in Canada. [I'd like to say 'annual visit', but covid ruined that tradition as soon as it started.]

The 9mm is quite a departure from the other short Leica DG primes for MFT. It has a very noticeably plastic barrel for one, and more importantly lacks an aperture ring. When street shooting, which is broadly what I use these lenses for, I really appreciate the option to quickly select a rough aperture on the fly...without having to verify my choice on a screen or in the view finder. Move from bright sun to shadow? Open up a few. Done. And vice-versa.

This lens does not allow for that. I've often described the GX85 paired with a 15mm Leica DG f1.7 as the digital equivalent of my M3 and 35mm Summichron. And it is. And it's small and light. But. 

I think the G9 is going to make the trek to Halifax. I really enjoy the larger finder and controls. And it handles the zooms much better. And the 15mm as well. It has an aperture ring for quick snaps. All the better.

So, the GX85 is fun for a quick trip or around town, but I'll stop doubting the G9 when it counts.
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It's Paris, Baby!

12/20/2022

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​So my son and I flew to Paris to meet up with my wife, Bri, who was there for work. What a wonderful week of restaurants, museums, and shops.

After a very long career in photography and related endeavors I don't shoot professionally anymore [or as a hobby for that matter.] However, the upcoming trip to Paris gave me a kick to the creative head. Most recently I shot Canon gear, but downsized to a Lumix micro 4/3 [MFT] system a number of years ago. It's a trade off, but the size and weight savings suited me at the time.

While not shooting much I have of course kept my kit relatively intact and functional. I did sell the Voigtlander Nokton 10.5mm f0.95 [e-21mm] manual focus lens recently. It was too specialized to justify the weight and value. I'm sure the new owner is putting it to good use.

Of my two current cameras I've always considered the Lumix G9 and the larger, faster Leica DG ASPH lenses to be for local landscape work and any unavoidable pro jobs, and the much smaller GX85 paired with a couple cheaper, lighter, slower but very capable Lumix branded kit lenses to be for travel. This is what I packed into a tiny Tamrac bag for our last [pre-covid] trip, to Canada, and it served me well. [link to that post here]

​But this trip was different. It's Paris, baby!
I have a Manfrotto backpack which holds the entire G9 kit along with a small tripod and full 15" MacBook Pro. I decidedly did 'not' want to deal with that on an overseas trip. But I did find a nice sling bag that was smaller and more ergonomic, yet specifically made for DSLR gear, and still had a slot for an 11" MacBook Air.  

I would never have designed something this...hybrid...but it was a wonderful find. The laptop pouch was taller enough than my MFT gear that a nice space was available for easy access to other travel stuff as necessary [gloves, scarf, snacks, etc.] The bag, an 'Incase DSLR Sling Pack' worked out very well. I do wish the zippers were more robust, but I managed not to break anything hurriedly repacking whilst exiting Ubers, buses, and planes. 

So, since the bag offered to accept full-sized gear that's what I took. The Lumix G9, Leica DG 8-18mm f2.8-4, 50-100mm f2.8-4, and 15mm f1.7 lenses [all focal lengths x2 for 35mm- equivalent, of course] made the trip along with the laptop, chargers, cables, filters, card reader, passports, itinerary, and car keys. 

Much of the above was offloaded to the hotel safe upon arrival, so weight when traipsing around for the day wasn't 'too' noticeable. But I have to admit that towards the end, and in the evenings, I was just carrying the camera with the fast little 15mm around on a strap. 


What is interesting about this last fact is that I have been thinking about what the perfect travel camera might be. I've considered the newer D-Lux 7 upgrade to my old Leica pocket zoom [Typ 109], and the Leica Q2 as well. That is an apples to oranges comparison though, since the Q has a full frame sensor as well as a fixed [28mm] lens.

And I did, really have to admit, notice that the MFT files can be a bit noisy...lacking just a little at times. Full sun, tripod, remote release, and the MFT files are terrific. But take a lens extended to f4 length handheld, add a polarizer and occasional clouds, and the shutter speeds start heading down while ISO creeps up. Not a great combination with this sensor, especially when printing to A2.

I was reminded that you have to be very careful and intentional when shooting MFT. And that's not always possible when you're moving, jostling in the crowd, keeping up with other people in an unfamiliar place. And, concerning both cameras, I did have an [admittedly few] very successful shots with the longer focal length lens that they simply can't accommodate.


So the takeaway for me is that, well, no future trips are on the horizon. So no decisions need be made soon. I'll continue to mull over my impressions and the 1k+ files from this trip, keep a more informed eye out for a better solution, and dream of my next fresh croissant and jam.

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I so love it...

8/9/2022

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I so love that a couple of friends 'got it' on this shot from my last post. I almost titled it 'Three Gulls'. Look closely, stay with me...

There is so much motion. So much going on. Not tooting my own, but what a story here if you just let your eyes wander. And the people! 
I've long held, after years of static landscape photography that was technically fine but lacking emotion, that only images of people connect with viewers.

I also have the opinion that by and large B/W images are the most effective. And that's still the case, most of the time, for me anyway.

But this, total serendipity, takes any viewer on a journey. Likely a familiar one. And that's what matters. That's what makes a photograph successful.
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Drift Inn Beach

6/30/2022

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Wonderful late afternoon light at Drift Inn Beach, Port Clyde, America.

--Lumix G9, Leica DG e-100-400mm, f4, ISO200
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Summer in Maine

6/28/2022

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Well, it's finally Summer here in Maine. We tough out the six plus months of winter and mud season, and this is our reward.
It's very tempting to 'get away' to somewhere else now that travel is easier, but why would you?!
​We had friends over for a wonderful dinner, and then s'mores and sparklers on the lawn.
Summer months are gorgeous here, and we make the most of it.

--Lumix G9, Voigtlander e-21mm Nokton, 1.6sec a @ f0.95 ISO 200
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Winter Break 2022

2/27/2022

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The boy had his first winter break from school this month and we took the opportunity to get away, down to Clearwater Beach in Florida. We felt compelled to return early to beat the recent storm, but it was a wonderful week. With this new precedent set, the big question is where we'll head next time! The ability to get away from Maine in the winter is not only a great blessing, but perhaps a necessity. :)

--Lumix GX85, 12~32mm G-Vario, ISO 200

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Christmas Party 2021

12/5/2021

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Wonderful evening with friends new and old, and a warm lazy next day at the house.
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Visit to PA

11/28/2021

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We traveled to a couple of towns in Pennsylvania last week to visit family for Thanksgiving.

​What a great time, and the first seeing some folks in many years. 

This was also of course an opportunity to try the Nokton in the field. The learning curve continues. 

Christmas parties start this weekend. All the best to you and yours.

[exposures with the Voigtlander 10.5mm (e-21mm) f0.95 MF lens at approx 1/40th, ISO 800]
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Winter Is Coming

11/17/2021

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More great light today in the afternoon. The temps are below freezing in the mornings now. Snow can't be too far behind.

Like many folks we're traveling next week, and hope the heavy snows hold off until December. 

Still working on the Nokton workflow. I enjoy it very much so far. It's such a unique lens and process that I don't plan to go back and forth with it. Think instead it will be the 'go-to' for a while.

There used to be a concept in the photo-sphere of 'one camera, one lens, one film, one year'. The idea was to use just one setup for so long that you got to know it inside and out. Feels like I'm on a similar journey here. I'll let you know.
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f0.95 B/W

11/8/2021

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Happy November folks. Days are shorter, light is warmer.

We're experimenting today with a Nokton e-21mm f0.95 lens. My son is our subject of the day.

The wife and I took a first in memory trip together on Friday. Now, a visit to the gritty city of Portland should have been a great opportunity for this, right? But no. I packed a camera, but never took it out. My priorities have clearly changed.

We had a fantastic time. None of my time was spent being less than present. Did I miss some photos...? Undoubtedly. Did I spend more time actually with my wife? Yes indeed.

You'll see a lot more of this lens to be sure. It's a lot of work to use though, so some practice is in my future. Remains to be seen if and how I re-integrate a camera into my family time. :)
So here's another example of what this lens can do. Sharp at all points? Not at all. Evocative? I think so. Much to do.
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    "Sometimes I feel like the world is a place I bought a ticket to. It’s a big show for me as if it wouldn’t happen if I wasn’t there with a camera."
    --Gary Winogrand


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Chris Stump 
​
Fine Art Photography
Mid-Coast Maine,  USA


Contact: chris (at) chrisstump (dot) com

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